Sep 092007
 

Rather than look at what is right about the new iPod Touch as everyone else seems to be doing, what about looking at what is wrong with the new device ? There is apparently plenty to like about it, but there are a few problems. Some of which only apply to certain kinds of possible customer of course.

Where Are The Higher Capacity iTouches ?

8Gbytes and 16Gbytes are quite large for a flash-based device, but this is Apple’s flagship media player … compare the price with the iPod classic! So what options are there for something a bit more usable for those who like to carry all (or nearly all) of their music with them ? Obviously making a 32Gb or 128Gb model would require more flash chips than the single-chip based iTouch, and would cost a bit more. But why not give consumers the choice ?

Several years ago I said that the lowest capacity flash-player I would be interested in would be 32Gbytes or more. With an appropriate choice of encoding format I could still fit my full CD collection into a 32Gbyte player; not much chance of getting it into a 16Gbyte player!

What About SDHC Slot(s) ?

Apple seems to concentrate on the market segment who replaces their media player every couple of years, and their products show this … no easily replaceable battery, and no expandable storage. Now there are plenty of people who will buy new iPods as soon as they are announced, but there are also plenty of people who are more inclined to buy a player and stick with it until it breaks. This includes the poor who cannot afford to replace their player every two years.

Adding a bit of ‘future proofing’ to the iTouch is hardly going to stop the gadget freaks from replacing their player regularly, but will make things a bit better for those who do not (or cannot). Why not have a screw fastened case that allows the user to get at 2-4 SDHC slots (perhaps one or two already filled with the standard flash memory) so that they can grow the player themselves ?

Where Are The Audio Codecs?

Apple’s firmware for the iPods (and presumably iTouches) supports a very limited set of audio codecs; just compare with the list of codecs supported by Rockbox (an opensource firmware that runs on many Apple iPod players and many others as well). If a bunch of hackers working part-time can produce software that can support so many audio codecs, why can’t Apple?

Most people do not care (or even know) about audio codecs, but some do. As an example, I usually use the OGG format which is widely believed by audiophiles to offer the best quality at the lowest bitrate. In non-geek terms, that means I can fit more tracks on my iBox (a rockboxed-ipod) without compromising on quality. If I were to switch to an iTouch I would have to re-encode all my audio files to MP3 (or AAC) which would take an age and I would be able to fit even less on the player.

Jun 212007
 

I have been stimulated into writing this by a slashdot article (not worth linking to) where people were arguing about the merits of installing Rockbox onto a compatible audio player … such as the iPod. Some people seem to think that replacing the standard iPod software is heresy!!

Or at the very least are complaining that Rockbox does not work the same way as the standard firmware.

I am in a somewhat odd situation … I bought an iPod after I was aware that Rockbox supported the iPod (and specifically avoided the 80Gb Ipod as it wasn’t supported at the time) to replace a rockboxed iRiver iHP100 (more commonly known as an iHP110) that was suffering from a lack of battery “oomph” (and yes I had tried replacing the battery). I spent probably just a couple of minutes in the native firmware before switching to the Rockbox firmware because I did not want to re-encode several thousand OGG-encoded tracks.

Now obviously I cannot criticise Apple’s interface or functionality on the iPod because I have not really used it.

However I can say that the Rockbox firmware is a perfectly adequate interface to run on an iPod and is getting better every week. Some of the features the Rockbox has include :-

  • Multi-codec support to play MP3, OGG, FLAC, AAC, WAV, … encoded files. I haven’t pulled down the full list but you really cannot get an audio player offering more codec support on a portable device. Not everyone needs this of course, but it is nice to have the choice.
  • The default Rockbox interface is kind of ropy on the iPod, but it is “themable” and some of the themes are pretty good … just have a look at the Rockbox Themes website (I have linked to the iPod Video themes)
  • Numerous “plugins” for playing games, displaying photos and other miscellaneous things. I must admit I don’t use them too much, but being able to play Jewel whilst bored waiting somewhere does come in useful.
  • The standard mass storage method of storing audio tracks in a way that can be easily accessed outside of iTunes does mean it is easier to copy some tracks to another computer easily. Of course I mean the freely distributable tracks!

Rockbox does have some disadvantages … the battery life is relatively poor compared with the native firmware (but very much better than an iHP100 with a tired battery!), and if you have a lot of investment in iTunes you will suffer from the lack of support (although the Rockbox database will track down files stored on the iPod whether they were put there by iTunes or just copied).

The most sensible advice for an iPod user thinking about making the switch is just to try it out. You may like it or you may not, but you don’t have anything to lose as you can always go back to the standard firmware. In fact as you can easily switch from one to the other, you can try out Rockbox gradually over time … go back to the native firmware when you are lost, and go back when you are feeling adventurous.

Another advantage that the existent Rockbox provides, that many people miss is that it may just put some pressure on Apple to improve their native firmware. If Apple notices that many of their iPod customers install Rockbox, they may be inclined to take a look themselves and start implementing features in their native firmware to “keep” their customers … surely something that would be good for all iPod owners.

Mar 172007
 

In the dim and distant past when iPods were something in SciFi films that hatched some nasty alien, and the only people who thought we might be using our computers for music were dangerously unstable visionaries there used to be a big issue called ‘software protection’. The software publishers had noticed that their software was being copied rather than paid for.

Being under the impression that every single illegal copy represented a lost sale (it isn’t, but that’s another story), they hired geeks to make copying software difficult. All of a sudden all the floppy disks (yes that long ago) that software came on were written with all sorts of funky tricks to make copying them difficult.

What happened ? Well the pirates came up with tricky ways of copying the disks and even removing the protection completely. Essentially the software protection schemes did not exist for them … in fact the more geeky ones enjoyed the challenge!

As for legitimate consumers, they started having problems. Those few who had hard disks suddenly had a collection of software packages that they could not copy onto the hard disk. Those who failed to treat their disks delicately found themselves unable to run software that often cost hundreds of pounds. It even grew to a point where the disk protection was so extreme that you found even a new disk did not work reliably.

A personal story from the 1980s … when the game Elite was launched for the BBC Microcomputer, I took some of my very limited money at the time and bought a copy. The game was brilliant but the disk protection was so extreme that I could not be sure of loading the game at any time. This experience ruined the game for me and I took it back. A few months later I ‘obtained’ an illegal copy and carried on playing it.

Do I feel guilty about breaking copyright law in this case ? No. I tried to do the right thing, but the software protection was so obnoxious to me as a legitimate consumer that I was encouraged to seek out an illegal copy.

Eventually after a long campaign, most of the larger software companies gave up software protection as a bad joke and everybody (probably including the software companies) breathed a sigh of relief.

Roll on a few years to now and look to digital music … a whole alphabet soup of different file formats … MP3, OGG, AAC, WMA, FLAC, MIDI … and that is just a few from the software that I run on my iPod. Some of these digital music formats have digital rights management and some do not … and the ones that do have it do not have the same one.

So I ‘buy’ a track from an online store for my smartphone which works quite well providing I keep the music there. Move it to my iPod and the iPod does not know it is music. Move it to a Windows machine, and it says that you’re not allowed to play it here. Some of these digital music formats have digital rights management and some do not … and the ones that do have it do not have the same one.

Notice something similar ? Again those who want to steal something will come up with a way to do it, and those legitimate consumers have to put up with restrictions that the pirates do not. Some of these digital music formats have digital rights management and some do not … and the ones that do have it do not have the same one.

We move onto films, where the same thing is happening. Ever notice whilst watching a DVD that you have to sit through 5-10 minutes of some stupid video telling you not to be naughty and steal the DVD ? Very irritating to be told off for something that you are not doing … especially when you realise those who steal movies usually have hacked hardware so they can fast forward through those bits. And of course movie download sites are using DRM in much the same way as music … you can download the movie and play it once, or play it as many times as you like for a month, or it only works on your PlayStation3 (or something like that). All sorts of restrictions for the legitimate consumer.

And what about those who download films from the file sharing networks ? Well no restrictions of course. In fact you can sometimes even download films before they are in the cinema especially if you are in a strange place like the UK where apparently shipping a film suitable for showing in the cinema can take many months.

Most media companies have yet to learn something that most software companies learnt a long time ago … pirates will steal your content whatever you do, and punishing legitimate consumers for doing the right thing will encourage some to become pirates and is pretty daft anyway. If I were a large media company I would do the following :-

  • Get rid of DRM. It costs money, probably has a negligable effect on the problem and punishes legitimate consumers.
  • Make all the old content available for download in a high-quality media format that can play everywhere for an almost nominal sum … perhaps a £1 a movie. Put the address of the download site at the beginning of the film prominently for a minute or two. This becomes your advertisement to those who get a copy illegally … and some of them will spend a pound to get an obscure
    film they’ve heard is good and then become more likely to purchase downloads.
  • Stop making cinema releases in stages. If you really want to see an over-hyped film that you know is in the cinema in the US but you have to wait months to see it in your country, you are far more likely to download an illegal copy than otherwise. If you have seen that illegal copy (sometimes a low-quality recording from a camcorder in a cinema) you are less likely to spend money on the film again. Especially if it is really over-hyped.
  • Same thing for DVD releases. Release them simultaneously world-wide and make them region free (whatever the excuse, region encoding comes across to consumers as a way of ripping them off).
  • Normalise DVD prices as much as possible. Seeing the same product at different prices in different countries makes the consumer feel they’re being ripped off. And don’t make the sales tax excuse … some consumers are capable of calculating the difference that makes.
  • Make DVD prices as cheap as possible. When consumers get DVDs for free with our newspaper, they feel like they are getting ripped off when they pay £20 for one.

If consumers feel like they are getting ripped off by media companies, they are more likely to try ripping off the media companies.

It all comes down to one simple statement. Rather than trying to stop people stealing using methods that don’t really work (and punish the legitimate consumer), look into why consumers steal films and other media and come up with consumer-friendly methods to alleviate that problem.

Feb 162007
 

So I was reading a review of Vista on The Register and was hardly surprised to see that the consumers are being ripped off again. It seems that they think that Microsoft can’t do currency conversions without making mistakes … I guess this is not too surprising given this is the company that gave us a calculator that made basic arithmetic mistakes.

However I decided to do a little checking myself and decided to use Amazon as the benchmark on differing costs on “Vista Ultimate Full” :-

Amazon.co.uk

£327
Amazon.com

$379

Next I converted the Amazon.com cost into pounds using £1 = $1.95 which is close enough for the purposes of this little rant :-

Amazon.com in pounds

£194

But wait! I forgot to add UK’s VAT rate of 17.5% :-

Amazon.com in pounds + VAT

£228

Now it is pretty obvious to me that £228 is considerably less than £327. Enough that I should do the calculation the other way around :-

Amazon.co.uk – VAT

£278

And to convert it into dollars :-

Amazon.co.uk – VAT in dollars

$543

So instead of $379, we in the UK pay $542 for our copies of Vista. That’s an increase of 43%! Now I could forgive a little bit of flab in the cost, but 43% is a little much to swallow. Apparently when The Register contacted Microsoft about this puzzling price discrepancy, Microsoft claimed they adjusted their prices to suit the market … or to put it another way, they gouge as much out of the consumer as they think they can get away with. Obviously they think that the average UK consumer is a bit of a numbskull.

It would be nice to prove them wrong. And ask the EU to take a little look into this matter.

Of course Microsoft is not the only company that tries to rip us off with the excuse of ‘tax variations’ and other bullshit reasons. Apple sells the Mac OSX operating system at widely varying prices :-

Apple.com US Price for OSX

$129
Apple.com UK price for OSX

£89

Hmm. Doesn’t seem like a ripoff compared with Vista does it ? Take a closer look :-

Apple.com UK price without VAT

£76
Apple.com UK price without VAT in dollars

$147

Hey that’s only 14% more expensive in the UK than the US. All worship Apple! No wait … that’s still a huge ripoff, but just not quite as excessive as Microsoft.

Of course this gives the Linux, Solairs and *BSD marketing types a good slogan :-

£0 or $0 – No ripoff there!

It is interesting to see that Microsoft could not give The Register reviewer a free review copy … you might understand it if it were a small company with a valuable product, but Microsoft and Vista hardly fit in there. Microsoft are probably wondering why they didn’t get a positive review 🙂